[ Journal ]
Red Room was built on a single rule: one colour, one dancer, and no second idea allowed on set.
Hollis & Rye sent a pair of trousers and one word: movement. Everything else was ours to decide. We painted a small studio wall and floor the same red, hired a dancer instead of a model, and agreed that nothing else would enter the frame.
A single colour sounds like a limitation. On the day it works like a metronome. Every pose is measured against the same background, so the only thing that changes from frame to frame is the body.
